I assemble abstract sculptural objects, relying mostly on my sense of materials and a preference for play over work. What I end up with is a kind of analytic dada.

Ultimately these mixtures of intuition, association and a sort-of-analytic critical process, result from seeing what “works” with what, and figuring out why... and how that might be used... or misused.... looking to see if things manage to sustain observation though their aspect of completeness, suggestions of legibility, playfulness... or maybe just by adding to that meta set of objects that ought to become series but never will.

September, '07